42 |
Snap Shot |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
42 |
Snap Shot |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
43 |
Barefoot In The Park |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
43 |
Barefoot In The Park |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
44 |
Make Or Break |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
44 |
Make Or Break |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
45 |
Tooba Boogie |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
45 |
Tooba Boogie |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
46 |
Swinging Cop, A |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
46 |
Swinging Cop, A |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
47 |
Staccato Al Fine |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
47 |
Staccato Al Fine |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
48 |
Jolly Molly |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
48 |
Jolly Molly |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
49 |
Anonymous Swing |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
49 |
Anonymous Swing |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
50 |
Doggy Woggy |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
50 |
Doggy Woggy |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
51 |
Swing Stuff |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
51 |
Swing Stuff |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
52 |
Whimsy Tale, A |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
52 |
Whimsy Tale, A |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
53 |
Baritone Special |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
53 |
Baritone Special |
Commercial Length Cuts 56 - Scd 465-469/472/474 |
CLC-56 |
|
1 |
Walking Bassline A |
A Touch Of Jazz |
SCDV-231 |
|