| 124 |
Rapid Developments |
Main Version |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 125 |
Rapid Developments |
(Underscore - no synth bell topline or transition fx) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 126 |
Rapid Developments |
(60 Sec A - slow build) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 127 |
Rapid Developments |
(60 Sec B - more intense) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 128 |
Rapid Developments |
(30 Sec A - slow build) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 129 |
Rapid Developments |
(30 Sec B - more intense) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 130 |
Rapid Developments |
(15 Sec) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 131 |
Rapid Developments |
(10 Sec) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 132 |
Rapid Developments |
(Stem 1 - bass synth) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 133 |
Rapid Developments |
(Stem 2 - electronic percussion) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 134 |
Rapid Developments |
(Stem 3 - synth atmos) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 135 |
Rapid Developments |
(Stem 4 - synth bell) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 136 |
Rapid Developments |
(Stem 5 - synth sequence) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|
| 137 |
Rapid Developments |
(Stem 6 - transition fx) |
Matthew Beattie |
Serious Factual |
PMOL_256 |
|