| 1-A | Weirdo Land | Full mix | Rainer Quade | Slow-medium | 78 |
|
| 1-B | Weirdo Land (Reduced) | Reduced | Rainer Quade | Slow-medium | 78 |
|
| 1-C | Weirdo Land (15) | 15 | Rainer Quade | Slow-medium | 78 |
|
| 1-D | Weirdo Land (30) | 30 | Rainer Quade | Slow-medium | 78 |
|
| 2-A | Organic Pulse | Full mix | Findus Englbrecht | Slow-medium | 80 |
|
| 2-B | Organic Pulse (Reduced) | Reduced | Findus Englbrecht | Slow-medium | 80 |
|
| 2-C | Organic Pulse (Reduced 2) | Reduced 2 | Findus Englbrecht | Slow-medium | 80 |
|
| 2-D | Organic Pulse (15) | 15 | Findus Englbrecht | Slow-medium | 80 |
|
| 2-E | Organic Pulse (30) | 30 | Findus Englbrecht | Slow-medium | 80 |
|
| 3-A | Shifting Patterns | Full mix | Andreas Kolinski | Medium | 122 |
|
| 3-B | Shifting Patterns (Reduced) | Reduced | Andreas Kolinski | Medium | 122 |
|
| 3-C | Shifting Patterns (Reduced 2) | Reduced 2 | Andreas Kolinski | Medium | 122 |
|
| 3-D | Shifting Patterns (15) | 15 | Andreas Kolinski | Medium | 122 |
|
| 3-E | Shifting Patterns (30) | 30 | Andreas Kolinski | Medium | 122 |
|
| 3-F | Shifting Patterns (15 2) | 15 2 | Andreas Kolinski | Medium | 122 |
|
| 3-G | Shifting Patterns (Sting) | Sting | Andreas Kolinski | Medium | 122 |
|
| 3-H | Shifting Patterns (Sting 2) | Sting 2 | Andreas Kolinski | Medium | 122 |
|
| 4-A | Abstract Percussion | Full mix | Anselm Kreuzer | Slow-medium | 100 |
|
| 4-B | Abstract Percussion (Reduced) | Reduced | Anselm Kreuzer | Slow-medium | 100 |
|
| 4-C | Abstract Percussion (Reduced 2) | Reduced 2 | Anselm Kreuzer | Slow-medium | 100 |
|
| 4-D | Abstract Percussion (15) | 15 | Anselm Kreuzer | Slow-medium | 100 |
|
| 4-E | Abstract Percussion (30) | 30 | Anselm Kreuzer | Slow-medium | 100 |
|
| 5-A | Abstract and Spooky | Full mix | Anselm Kreuzer | Slow | 115 |
|
| 5-B | Abstract and Spooky (Reduced) | Reduced | Anselm Kreuzer | Slow | 115 |
|
| 5-C | Abstract and Spooky (Reduced 2) | Reduced 2 | Anselm Kreuzer | Slow | 115 |
|
| 5-D | Abstract and Spooky (15) | 15 | Anselm Kreuzer | Slow | 115 |
|
| 5-E | Abstract and Spooky (30) | 30 | Anselm Kreuzer | Slow | 115 |
|
| 6-A | Abstract Housekeeping | Full mix | Roman Beilharz | Slow-medium | 90 |
|
| 6-B | Abstract Housekeeping (Reduced) | Reduced | Roman Beilharz | Slow-medium | 90 |
|
| 6-C | Abstract Housekeeping (15) | 15 | Roman Beilharz | Slow-medium | 90 |
|
| 6-D | Abstract Housekeeping (30) | 30 | Roman Beilharz | Slow-medium | 90 |
|
| 7-A | Dangerous Experiments | Full mix | Benjamin Flint | Slow-medium | 90 |
|
| 7-B | Dangerous Experiments (Reduced) | Reduced | Benjamin Flint | Slow-medium | 90 |
|
| 7-C | Dangerous Experiments (15) | 15 | Benjamin Flint | Slow-medium | 90 |
|
| 7-D | Dangerous Experiments (30) | 30 | Benjamin Flint | Slow-medium | 90 |
|
| 7-E | Dangerous Experiments (Sting) | Sting | Benjamin Flint | Slow-medium | 90 |
|
| 7-F | Dangerous Experiments (Sting 2) | Sting 2 | Benjamin Flint | Slow-medium | 90 |
|
| 8-A | Pulse of Change | Full mix | Benjamin Flint | Slow | 83 |
|
| 8-B | Pulse of Change (Reduced) | Reduced | Benjamin Flint | Slow | 83 |
|
| 8-C | Pulse of Change (15) | 15 | Benjamin Flint | Slow | 83 |
|
| 8-D | Pulse of Change (30) | 30 | Benjamin Flint | Slow | 83 |
|
| 8-E | Pulse of Change (Sting) | Sting | Benjamin Flint | Slow | 83 |
|
| 8-F | Pulse of Change (Sting 2) | Sting 2 | Benjamin Flint | Slow | 83 |
|
| 9-A | Time of Crisis | Full mix | Fabian Bitter | Slow-medium | 88 |
|
| 9-B | Time of Crisis (Reduced) | Reduced | Fabian Bitter | Slow-medium | 88 |
|
| 9-C | Time of Crisis (Reduced 2) | Reduced 2 | Fabian Bitter | Slow-medium | 88 |
|
| 9-D | Time of Crisis (15) | 15 | Fabian Bitter | Slow-medium | 88 |
|
| 9-E | Time of Crisis (30) | 30 | Fabian Bitter | Slow-medium | 88 |
|
| 10-A | Nervous and Sneaky | Full mix | Johannes Huppertz | Medium-fast | 108 |
|
| 10-B | Nervous and Sneaky (Reduced) | Reduced | Johannes Huppertz | Medium-fast | 108 |
|
| 10-C | Nervous and Sneaky (15) | 15 | Johannes Huppertz | Medium-fast | 108 |
|
| 10-D | Nervous and Sneaky (30) | 30 | Johannes Huppertz | Medium-fast | 108 |
|
| 11-A | Potential Threat | Full mix | Thomas Stanger | Slow | 80 |
|
| 11-B | Potential Threat (Reduced) | Reduced | Thomas Stanger | Slow | 80 |
|
| 11-C | Potential Threat (Reduced 2) | Reduced 2 | Thomas Stanger | Slow | 80 |
|
| 11-D | Potential Threat (Reduced 3) | Reduced 3 | Thomas Stanger | Slow | 80 |
|
| 11-E | Potential Threat (Reduced 4) | Reduced 4 | Thomas Stanger | Slow | 80 |
|
| 11-F | Potential Threat (15) | 15 | Thomas Stanger | Slow | 80 |
|
| 11-G | Potential Threat (30) | 30 | Thomas Stanger | Slow | 80 |
|
| 12-A | Pink Sky | Full mix | Rainer Quade | Slow | 72 |
|
| 12-B | Pink Sky (Reduced) | Reduced | Rainer Quade | Slow | 72 |
|
| 12-C | Pink Sky (Reduced 2) | Reduced 2 | Rainer Quade | Slow | 72 |
|
| 12-D | Pink Sky (15) | 15 | Rainer Quade | Slow | 72 |
|
| 12-E | Pink Sky (30) | 30 | Rainer Quade | Slow | 72 |
|
| 13-A | Quiet Analysis | Full mix | Vincent Blauberg | Medium | 102 |
|
| 13-B | Quiet Analysis (Reduced) | Reduced | Vincent Blauberg | Medium | 102 |
|
| 13-C | Quiet Analysis (Reduced 2) | Reduced 2 | Vincent Blauberg | Medium | 102 |
|
| 13-D | Quiet Analysis (Reduced 3) | Reduced 3 | Vincent Blauberg | Medium | 102 |
|
| 13-E | Quiet Analysis (15) | 15 | Vincent Blauberg | Medium | 102 |
|
| 13-F | Quiet Analysis (30) | 30 | Vincent Blauberg | Medium | 102 |
|
| 14-A | Abstract Analysis | Full mix | Anselm Kreuzer | Medium | 130 |
|
| 14-B | Abstract Analysis (Reduced) | Reduced | Anselm Kreuzer | Medium | 130 |
|
| 14-C | Abstract Analysis (Reduced 2) | Reduced 2 | Anselm Kreuzer | Medium | 130 |
|
| 14-D | Abstract Analysis (Reduced 3) | Reduced 3 | Anselm Kreuzer | Medium | 130 |
|
| 14-E | Abstract Analysis (15) | 15 | Anselm Kreuzer | Medium | 130 |
|
| 14-F | Abstract Analysis (30) | 30 | Anselm Kreuzer | Medium | 130 |
|
| 15-A | Different View | Full mix | Robert Sternbach | Medium-fast | 130 |
|
| 15-B | Different View (Reduced) | Reduced | Robert Sternbach | Medium-fast | 130 |
|
| 15-C | Different View (Reduced 2) | Reduced 2 | Robert Sternbach | Medium-fast | 130 |
|
| 15-D | Different View (15) | 15 | Robert Sternbach | Medium-fast | 130 |
|
| 15-E | Different View (30) | 30 | Robert Sternbach | Medium-fast | 130 |
|
| 16-A | Bits of Evidence | Full mix | Anselm Kreuzer | Slow-medium | 100 |
|
| 16-B | Bits of Evidence (Reduced) | Reduced | Anselm Kreuzer | Slow-medium | 100 |
|
| 16-C | Bits of Evidence (Reduced 2) | Reduced 2 | Anselm Kreuzer | Slow-medium | 100 |
|
| 16-D | Bits of Evidence (15) | 15 | Anselm Kreuzer | Slow-medium | 100 |
|
| 16-E | Bits of Evidence (30) | 30 | Anselm Kreuzer | Slow-medium | 100 |
|
| 17-A | Bold Investment | Full mix | Axel Broszeit | Medium | 80 |
|
| 17-B | Bold Investment (Reduced) | Reduced | Axel Broszeit | Medium | 80 |
|
| 17-C | Bold Investment (15) | 15 | Axel Broszeit | Medium | 80 |
|
| 17-D | Bold Investment (30) | 30 | Axel Broszeit | Medium | 80 |
|
| 18-A | La Moderna | Full mix | Fabian Graetz | Medium | 120 |
|
| 18-B | La Moderna (Reduced) | Reduced | Fabian Graetz | Medium | 120 |
|
| 18-C | La Moderna (15) | 15 | Fabian Graetz | Medium | 120 |
|
| 18-D | La Moderna (30) | 30 | Fabian Graetz | Medium | 120 |
|
| 19-A | Drumbusters | Full mix | Alan Jay Reed | Medium-fast | 128 |
|
| 19-B | Drumbusters (Reduced) | Reduced | Alan Jay Reed | Medium-fast | 128 |
|
| 19-C | Drumbusters (15) | 15 | Alan Jay Reed | Medium-fast | 128 |
|
| 19-D | Drumbusters (30) | 30 | Alan Jay Reed | Medium-fast | 128 |
|
| 20-A | Brain Bash | Full mix | Luca Brichese | Medium-fast | 120 |
|
| 20-B | Brain Bash (Reduced) | Reduced | Luca Brichese | Medium-fast | 120 |
|
| 20-C | Brain Bash (15) | 15 | Luca Brichese | Medium-fast | 120 |
|
| 20-D | Brain Bash (30) | 30 | Luca Brichese | Medium-fast | 120 |
|
