| 1 | Digital Relief | Full mix | Citokid | Slow-medium | 85 |
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| 1 | Digital Relief (Reduced) | Less bells | Citokid | Slow-medium | 85 |
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| 1 | Digital Relief (15) | 15 | Citokid | Slow-medium | 85 |
|
| 1 | Digital Relief (30) | 30 | Citokid | Slow-medium | 85 |
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| 2 | Smart Home | Full mix | Citokid | Medium | 93,5 |
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| 2 | Smart Home (Reduced) | No synth line | Citokid | Medium | 93,5 |
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| 2 | Smart Home (15) | 15 | Citokid | Medium | 93,5 |
|
| 2 | Smart Home (30) | 30 | Citokid | Medium | 93,5 |
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| 3 | Artificial Progress | Full mix | Tobias Bartsch | Medium | 120 |
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| 3 | Artificial Progress (Reduced) | No mid layer | Tobias Bartsch | Medium | 120 |
|
| 3 | Artificial Progress (15) | 15 | Tobias Bartsch | Medium | 120 |
|
| 3 | Artificial Progress (30) | 30 | Tobias Bartsch | Medium | 120 |
|
| 4 | Smart Easiness | Full mix | Citokid | Medium | 113 |
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| 4 | Smart Easiness (Reduced) | No melody | Citokid | Medium | 113 |
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| 4 | Smart Easiness (15) | 15 | Citokid | Medium | 113 |
|
| 4 | Smart Easiness (30) | 30 | Citokid | Medium | 113 |
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| 5 | Glorious Science | Full mix | Andreas Kolinski | Medium | 122 |
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| 5 | Glorious Science (Reduced) | Less density | Andreas Kolinski | Medium | 122 |
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| 5 | Glorious Science (15) | 15 | Andreas Kolinski | Medium | 122 |
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| 5 | Glorious Science (30) | 30 | Andreas Kolinski | Medium | 122 |
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| 6 | Playful Service | Full mix | Patrick Michael Schmitz | Medium-fast | 120 |
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| 6 | Playful Service (Reduced) | No synth bells | Patrick Michael Schmitz | Medium-fast | 120 |
|
| 6 | Playful Service (Reduced 2) | Less synth bells | Patrick Michael Schmitz | Medium-fast | 120 |
|
| 6 | Playful Service (15) | 15 | Patrick Michael Schmitz | Medium-fast | 120 |
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| 6 | Playful Service (30) | 30 | Patrick Michael Schmitz | Medium-fast | 120 |
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| 7 | Modernist Cuisine | Full mix | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (Reduced) | Less density | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (15) | 15 | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (30) | 30 | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (Alternative 15) | 015, more atmosphere | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (Alternative 30) | 030, more atmosphere | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (Sting) | Sting | Michael Edwards | Medium-fast | 120 |
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| 7 | Modernist Cuisine (Sting 2) | Sting 2 | Michael Edwards | Medium-fast | 120 |
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| 8 | Gate to Elysium | Full mix | Alan Jay Reed | Medium | 108 |
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| 8 | Gate to Elysium (Reduced) | No melody synth | Alan Jay Reed | Medium | 108 |
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| 8 | Gate to Elysium (15) | 15 | Alan Jay Reed | Medium | 108 |
|
| 8 | Gate to Elysium (30) | 30 | Alan Jay Reed | Medium | 108 |
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| 9 | Data Matching | Full mix | Lars Jebsen | Slow-medium | 100 |
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| 9 | Data Matching (Reduced) | Less arpeggio | Lars Jebsen | Slow-medium | 100 |
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| 9 | Data Matching (15) | 15 | Lars Jebsen | Slow-medium | 100 |
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| 9 | Data Matching (30) | 30 | Lars Jebsen | Slow-medium | 100 |
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| 10 | Global Telecommunications | Full mix | Eckes Malz | Medium | 114 |
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| 10 | Global Telecommunications (Reduced) | No piano | Eckes Malz | Medium | 114 |
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| 10 | Global Telecommunications (15) | 15 | Eckes Malz | Medium | 114 |
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| 10 | Global Telecommunications (30) | 30 | Eckes Malz | Medium | 114 |
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| 11 | Time Saving | Full mix | Niko Groll | Medium | 125 |
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| 11 | Time Saving (Reduced) | No piano | Niko Groll | Medium | 125 |
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| 11 | Time Saving (Reduced 2) | Less ticking elements | Niko Groll | Medium | 125 |
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| 11 | Time Saving (15) | 15 | Niko Groll | Medium | 125 |
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| 11 | Time Saving (30) | 30 | Niko Groll | Medium | 125 |
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| 12 | Cool Algorithm | Full mix | Citokid | Medium | 120 |
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| 12 | Cool Algorithm (Reduced) | No synth bellls | Citokid | Medium | 120 |
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| 12 | Cool Algorithm (15) | 15 | Citokid | Medium | 120 |
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| 12 | Cool Algorithm (30) | 30 | Citokid | Medium | 120 |
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| 13 | Evident Change | Full mix | Alan Jay Reed | Slow | 120 |
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| 13 | Evident Change (Reduced) | No electric guitar | Alan Jay Reed | Slow | 120 |
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| 13 | Evident Change (Reduced 2) | No drums | Alan Jay Reed | Slow | 120 |
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| 13 | Evident Change (15) | 15 | Alan Jay Reed | Slow | 120 |
|
| 13 | Evident Change (30) | 30 | Alan Jay Reed | Slow | 120 |
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| 14 | Digital Industry | Full mix | Alan Jay Reed | Medium | 120 |
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| 14 | Digital Industry (Reduced) | No arpeggio | Alan Jay Reed | Medium | 120 |
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| 14 | Digital Industry (15) | 15 | Alan Jay Reed | Medium | 120 |
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| 14 | Digital Industry (30) | 30 | Alan Jay Reed | Medium | 120 |
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| 15 | Electronic Manipulation | Full mix | Alan Jay Reed | Medium | 120 |
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| 15 | Electronic Manipulation (Reduced) | No melody | Alan Jay Reed | Medium | 120 |
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| 15 | Electronic Manipulation (15) | 15 | Alan Jay Reed | Medium | 120 |
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| 15 | Electronic Manipulation (30) | 30 | Alan Jay Reed | Medium | 120 |
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| 16 | Proper Execution | Full mix | Queens Road | Slow | 102 |
|
| 16 | Proper Execution (Reduced) | No bass | Queens Road | Slow | 102 |
|
| 16 | Proper Execution (Reduced 2) | No ticking synth | Queens Road | Slow | 102 |
|
| 16 | Proper Execution (15) | 15 | Queens Road | Slow | 102 |
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| 16 | Proper Execution (30) | 30 | Queens Road | Slow | 102 |
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| 17 | Global Processing | Full mix | Eckes Malz | Medium-fast | 124 |
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| 17 | Global Processing (Reduced) | Less arpeggio | Eckes Malz | Medium-fast | 124 |
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| 17 | Global Processing (15) | 15 | Eckes Malz | Medium-fast | 124 |
|
| 17 | Global Processing (30) | 30 | Eckes Malz | Medium-fast | 124 |
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| 18 | Life Algorithm | Full mix | Michi Koerner | Medium | 120 |
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| 18 | Life Algorithm (Reduced) | No lead synth | Michi Koerner | Medium | 120 |
|
| 18 | Life Algorithm (15) | 15 | Michi Koerner | Medium | 120 |
|
| 18 | Life Algorithm (30) | 30 | Michi Koerner | Medium | 120 |
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| 19 | Digital Screening | Full mix | Sascha Blank | Medium | 121 |
|
| 19 | Digital Screening (Reduced) | No lead synth | Sascha Blank | Medium | 121 |
|
| 19 | Digital Screening (15) | 15 | Sascha Blank | Medium | 121 |
|
| 19 | Digital Screening (30) | 30 | Sascha Blank | Medium | 121 |
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| 20 | Data Scandal | Full mix | Martin Hanisch | Medium-fast | 132 |
|
| 20 | Data Scandal (Reduced) | No pads | Martin Hanisch | Medium-fast | 132 |
|
| 20 | Data Scandal (Reduced 2) | No pulsation | Martin Hanisch | Medium-fast | 132 |
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| 20 | Data Scandal (15) | 15 | Martin Hanisch | Medium-fast | 132 |
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| 20 | Data Scandal (30) | 30 | Martin Hanisch | Medium-fast | 132 |
|
| 21 | New Evidence | Full mix | Michi Koerner | Medium | 120 |
|
| 21 | New Evidence (Reduced) | No synth percussion, less density | Michi Koerner | Medium | 120 |
|
| 21 | New Evidence (Reduced 2) | No synth percussion | Michi Koerner | Medium | 120 |
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| 21 | New Evidence (15) | 15 | Michi Koerner | Medium | 120 |
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| 21 | New Evidence (30) | 30 | Michi Koerner | Medium | 120 |
|
| 22 | Terms and Conditions | Full mix | Sascha Blank | Medium | 124 |
|
| 22 | Terms and Conditions (Reduced) | No bass layer | Sascha Blank | Medium | 124 |
|
| 22 | Terms and Conditions (15) | 15 | Sascha Blank | Medium | 124 |
|
| 22 | Terms and Conditions (30) | 30 | Sascha Blank | Medium | 124 |
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/MSC9 - SMART INDUSTRY 2400px.jpg)