| 1 |
Giant Construction
|
Full mix |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (Reduced)
|
No bass drum |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (Alternative 15)
|
015 and less density |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (Alternative 30)
|
030 and less density |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 1 |
Giant Construction (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Medium |
108 |
|
| 2 |
Engineering Marvel
|
Full mix |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Reduced)
|
Light atmosphere only |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Reduced 2)
|
No bass |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Alternative 15)
|
015 and less density |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Alternative 30)
|
030 and less density |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 2 |
Engineering Marvel (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Fast |
120 |
|
| 3 |
Friction
|
Full mix |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (Reduced)
|
No pads |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (Alternative 15)
|
015, no pads |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (Alternative 30)
|
030, no pads |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 3 |
Friction (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Fast |
154 |
|
| 4 |
Perfect Rotation
|
Full mix |
Lars Jebsen |
Medium |
94 |
|
| 4 |
Perfect Rotation (Reduced)
|
Less arpeggio |
Lars Jebsen |
Medium |
94 |
|
| 4 |
Perfect Rotation (15)
|
15 |
Lars Jebsen |
Medium |
94 |
|
| 4 |
Perfect Rotation (30)
|
30 |
Lars Jebsen |
Medium |
94 |
|
| 5 |
Technological Globalization
|
Full mix |
Tobias Bartsch |
Slow |
133 |
|
| 5 |
Technological Globalization (Reduced)
|
No snare drum |
Tobias Bartsch |
Slow |
133 |
|
| 5 |
Technological Globalization (Reduced 2)
|
No snare drum, less arpeggio |
Tobias Bartsch |
Slow |
133 |
|
| 5 |
Technological Globalization (15)
|
15 |
Tobias Bartsch |
Slow |
133 |
|
| 5 |
Technological Globalization (30)
|
30 |
Tobias Bartsch |
Slow |
133 |
|
| 6 |
Autonomous Machines
|
Full mix |
Felix Halbe |
Medium |
90 |
|
| 6 |
Autonomous Machines (Reduced)
|
No synth percussion |
Felix Halbe |
Medium |
90 |
|
| 6 |
Autonomous Machines (15)
|
15 |
Felix Halbe |
Medium |
90 |
|
| 6 |
Autonomous Machines (30)
|
30 |
Felix Halbe |
Medium |
90 |
|
| 7 |
Ready for Takeoff
|
Full mix |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (Reduced)
|
No noise atmosphere |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (Alternative 15)
|
015, no bass layer |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (Alternative 30)
|
030, no bass layer |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 7 |
Ready for Takeoff (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Fast |
135 |
|
| 8 |
Checkless Progress
|
Full mix |
Lars Jebsen |
Medium |
100 |
|
| 8 |
Checkless Progress (Reduced)
|
Less density |
Lars Jebsen |
Medium |
100 |
|
| 8 |
Checkless Progress (15)
|
15 |
Lars Jebsen |
Medium |
100 |
|
| 8 |
Checkless Progress (30)
|
30 |
Lars Jebsen |
Medium |
100 |
|
| 9 |
Automatic Navigation
|
Full mix |
Alan Jay Reed |
Medium-fast |
100 |
|
| 9 |
Automatic Navigation (Reduced)
|
Bass pulsation only |
Alan Jay Reed |
Medium-fast |
100 |
|
| 9 |
Automatic Navigation (15)
|
15 |
Alan Jay Reed |
Medium-fast |
100 |
|
| 9 |
Automatic Navigation (30)
|
30 |
Alan Jay Reed |
Medium-fast |
100 |
|
| 10 |
Precision Work
|
Full mix |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (Reduced)
|
No bass |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (Alternative 15)
|
015, no bass |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (Alternative 30)
|
030, no bass |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 10 |
Precision Work (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Medium |
150 |
|
| 11 |
Artificial Intelligence
|
Full mix |
Eckes Malz |
Slow |
- |
|
| 11 |
Artificial Intelligence (Reduced)
|
Less blurred sounds |
Eckes Malz |
Slow |
- |
|
| 11 |
Artificial Intelligence (15)
|
15 |
Eckes Malz |
Slow |
- |
|
| 11 |
Artificial Intelligence (30)
|
30 |
Eckes Malz |
Slow |
- |
|
| 12 |
Matrix Matching
|
Full mix |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (Reduced)
|
Less density |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (Alternative 15)
|
015, less density |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (Alternative 30)
|
030, less density |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 12 |
Matrix Matching (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Medium |
120 |
|
| 13 |
Bulk Production
|
Full mix |
Alan Jay Reed |
Medium |
120 |
|
| 13 |
Bulk Production (Reduced)
|
No gated synths |
Alan Jay Reed |
Medium |
120 |
|
| 13 |
Bulk Production (15)
|
15 |
Alan Jay Reed |
Medium |
120 |
|
| 13 |
Bulk Production (30)
|
30 |
Alan Jay Reed |
Medium |
120 |
|
| 14 |
Future Visions
|
Full mix |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Reduced)
|
No bass drum |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Reduced 2)
|
No bass drum, less percussion |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Alternative 15)
|
015 and less density |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Alternative 30)
|
030 and less density |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 14 |
Future Visions (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Medium |
90 |
|
| 15 |
Cyberspace
|
Full mix |
Lars Jebsen |
Medium |
110 |
|
| 15 |
Cyberspace (Reduced)
|
Less driving sounds, alternative beginning |
Lars Jebsen |
Medium |
110 |
|
| 15 |
Cyberspace (15)
|
15 |
Lars Jebsen |
Medium |
110 |
|
| 15 |
Cyberspace (30)
|
30 |
Lars Jebsen |
Medium |
110 |
|
| 16 |
Progressive Movement
|
Full mix |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (Reduced)
|
No blurred percussion |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (15)
|
15 |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (30)
|
30 |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (Alternative 15)
|
Lighter arrangement |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (Alternative 30)
|
Lighter arrangement |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (Sting)
|
Sting |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 16 |
Progressive Movement (Sting 2)
|
Sting 2 |
Michael Edwards Christian Tschuggnall |
Medium |
110 |
|
| 17 |
Proper Execution
|
Full mix |
Queens Road |
Medium |
106 |
|
| 17 |
Proper Execution (Reduced)
|
Atmospheric sounds only |
Queens Road |
Medium |
106 |
|
| 17 |
Proper Execution (Reduced 2)
|
Less pads |
Queens Road |
Medium |
106 |
|
| 17 |
Proper Execution (15)
|
15 |
Queens Road |
Medium |
106 |
|
| 17 |
Proper Execution (30)
|
30 |
Queens Road |
Medium |
106 |
|
| 18 |
Industrial Fabrication
|
Full mix |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (Reduced)
|
No drums, no bass |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (Reduced 2)
|
No drums |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (Reduced 3)
|
Drums only |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (15)
|
15 |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (30)
|
30 |
Alexander Gress |
Medium |
110 |
|
| 18 |
Industrial Fabrication (Sting)
|
Sting |
Alexander Gress |
Medium |
110 |
|
| 19 |
Uncontrolled Chain Reaction
|
Full mix |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 19 |
Uncontrolled Chain Reaction (Reduced)
|
Less atmospheric sounds |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 19 |
Uncontrolled Chain Reaction (15)
|
15 |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 19 |
Uncontrolled Chain Reaction (30)
|
30 |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 19 |
Uncontrolled Chain Reaction (Sting)
|
Sting 1 |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 19 |
Uncontrolled Chain Reaction (Sting 2)
|
Sting 2 |
Marcelo Baldin Petriaggi |
Fast |
140 |
|
| 20 |
Scientific Attempts
|
Full mix |
Alan Jay Reed |
Medium |
100 |
|
| 20 |
Scientific Attempts (Reduced)
|
Less high synths |
Alan Jay Reed |
Medium |
100 |
|
| 20 |
Scientific Attempts (15)
|
15 |
Alan Jay Reed |
Medium |
100 |
|
| 20 |
Scientific Attempts (30)
|
30 |
Alan Jay Reed |
Medium |
100 |
|
| 21 |
Suspension
|
Full mix |
Michael Maas |
Medium-fast |
120 |
|
| 21 |
Suspension (Reduced)
|
No drums |
Michael Maas |
Medium-fast |
120 |
|
| 21 |
Suspension (15)
|
15 |
Michael Maas |
Medium-fast |
120 |
|
| 21 |
Suspension (30)
|
30 |
Michael Maas |
Medium-fast |
120 |
|
| 22 |
Shadow Productions
|
Full mix |
Eckes Malz |
Medium |
110 |
|
| 22 |
Shadow Productions (Reduced)
|
No high synths |
Eckes Malz |
Medium |
110 |
|
| 22 |
Shadow Productions (15)
|
15 |
Eckes Malz |
Medium |
110 |
|
| 22 |
Shadow Productions (30)
|
30 |
Eckes Malz |
Medium |
110 |
|
