| 1 |
Internet of Things
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow-medium |
104 |
|
| 1 |
Internet of Things (Reduced)
|
No melody |
Michael Bibo Alan Jay Reed |
Slow-medium |
104 |
|
| 1 |
Internet of Things (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow-medium |
104 |
|
| 1 |
Internet of Things (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow-medium |
104 |
|
| 2 |
Doctor AI
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 2 |
Doctor AI (Reduced)
|
No processed drums |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 2 |
Doctor AI (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 2 |
Doctor AI (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 3 |
Lost World
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 3 |
Lost World (Reduced)
|
No synth arpeggio |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 3 |
Lost World (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 3 |
Lost World (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 4 |
Binary Love
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 4 |
Binary Love (Reduced)
|
No sound design |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 4 |
Binary Love (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 4 |
Binary Love (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow |
80 |
|
| 5 |
Humans and Cyborgs
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
101 |
|
| 5 |
Humans and Cyborgs (Reduced)
|
No melody |
Michael Bibo Alan Jay Reed |
Medium |
101 |
|
| 5 |
Humans and Cyborgs (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
101 |
|
| 5 |
Humans and Cyborgs (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
101 |
|
| 6 |
Smart Cloud Computing
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium-fast |
120 |
|
| 6 |
Smart Cloud Computing (Reduced)
|
Less dominant deep accents |
Michael Bibo Alan Jay Reed |
Medium-fast |
120 |
|
| 6 |
Smart Cloud Computing (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium-fast |
120 |
|
| 6 |
Smart Cloud Computing (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium-fast |
120 |
|
| 7 |
Artificial General Intelligence
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
120 |
|
| 7 |
Artificial General Intelligence (Reduced)
|
No bass layer and less drums |
Michael Bibo Alan Jay Reed |
Medium |
120 |
|
| 7 |
Artificial General Intelligence (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
120 |
|
| 7 |
Artificial General Intelligence (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
120 |
|
| 8 |
Virtual Workout
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 8 |
Virtual Workout (Reduced)
|
No synth melody |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 8 |
Virtual Workout (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 8 |
Virtual Workout (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow-medium |
100 |
|
| 9 |
Augmented Reality
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
90 |
|
| 9 |
Augmented Reality (Reduced)
|
Less driving percussion and no bass |
Michael Bibo Alan Jay Reed |
Medium |
90 |
|
| 9 |
Augmented Reality (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
90 |
|
| 9 |
Augmented Reality (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
90 |
|
| 10 |
Playful Robot
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
140 |
|
| 10 |
Playful Robot (Reduced)
|
No processed drums |
Michael Bibo Alan Jay Reed |
Medium |
140 |
|
| 10 |
Playful Robot (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
140 |
|
| 10 |
Playful Robot (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
140 |
|
| 11 |
AI Consciousness
|
Full mix |
Michael Bibo Alan Jay Reed |
Fast |
143 |
|
| 11 |
AI Consciousness (Reduced)
|
No hard synth accents |
Michael Bibo Alan Jay Reed |
Fast |
143 |
|
| 11 |
AI Consciousness (15)
|
15 |
Michael Bibo Alan Jay Reed |
Fast |
143 |
|
| 11 |
AI Consciousness (30)
|
30 |
Michael Bibo Alan Jay Reed |
Fast |
143 |
|
| 12 |
Deep Learning
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 12 |
Deep Learning (Reduced)
|
No mid layer pulsation |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 12 |
Deep Learning (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 12 |
Deep Learning (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 13 |
Deadly Algorithm
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 13 |
Deadly Algorithm (Reduced)
|
No futuristic sound design |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 13 |
Deadly Algorithm (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 13 |
Deadly Algorithm (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 14 |
Friend or Enemy
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 14 |
Friend or Enemy (Reduced)
|
No bell melody |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 14 |
Friend or Enemy (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 14 |
Friend or Enemy (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
110 |
|
| 15 |
Mind Upload
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 15 |
Mind Upload (Reduced)
|
No synth mallets |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 15 |
Mind Upload (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 15 |
Mind Upload (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow-medium |
95 |
|
| 16 |
Future of Life
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow |
90 |
|
| 16 |
Future of Life (Reduced)
|
No mid layer synthesizer |
Michael Bibo Alan Jay Reed |
Slow |
90 |
|
| 16 |
Future of Life (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow |
90 |
|
| 16 |
Future of Life (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow |
90 |
|
| 17 |
Smart City
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
128 |
|
| 17 |
Smart City (Reduced)
|
Less no electric guitars and no melody |
Michael Bibo Alan Jay Reed |
Medium |
128 |
|
| 17 |
Smart City (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
128 |
|
| 17 |
Smart City (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
128 |
|
| 18 |
Self Driving Cars
|
Full mix |
Michael Bibo Alan Jay Reed |
Medium |
108 |
|
| 18 |
Self Driving Cars (Reduced)
|
No melody |
Michael Bibo Alan Jay Reed |
Medium |
108 |
|
| 18 |
Self Driving Cars (15)
|
15 |
Michael Bibo Alan Jay Reed |
Medium |
108 |
|
| 18 |
Self Driving Cars (30)
|
30 |
Michael Bibo Alan Jay Reed |
Medium |
108 |
|
| 19 |
In Love with a Chatbot
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow |
82 |
|
| 19 |
In Love with a Chatbot (Reduced)
|
Piano only |
Michael Bibo Alan Jay Reed |
Slow |
82 |
|
| 19 |
In Love with a Chatbot (Reduced 2)
|
No melody piano |
Michael Bibo Alan Jay Reed |
Slow |
82 |
|
| 19 |
In Love with a Chatbot (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow |
82 |
|
| 19 |
In Love with a Chatbot (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow |
82 |
|
| 20 |
Digital Immortality
|
Full mix |
Michael Bibo Alan Jay Reed |
Slow |
88 |
|
| 20 |
Digital Immortality (Reduced)
|
Less pads and no percussion |
Michael Bibo Alan Jay Reed |
Slow |
88 |
|
| 20 |
Digital Immortality (15)
|
15 |
Michael Bibo Alan Jay Reed |
Slow |
88 |
|
| 20 |
Digital Immortality (30)
|
30 |
Michael Bibo Alan Jay Reed |
Slow |
88 |
|