| 1 | Giant Construction | Full mix | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (Reduced) | No bass drum | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (15) | 15 | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (30) | 30 | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (Alternative 15) | 015 and less density | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (Alternative 30) | 030 and less density | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (Sting) | Sting | Michael Edwards | Medium | 108 |
|
| 1 | Giant Construction (Sting 2) | Sting 2 | Michael Edwards | Medium | 108 |
|
| 2 | Engineering Marvel | Full mix | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Reduced) | Light atmosphere only | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Reduced 2) | No bass | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (15) | 15 | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (30) | 30 | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Alternative 15) | 015 and less density | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Alternative 30) | 030 and less density | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Sting) | Sting | Michael Edwards | Fast | 120 |
|
| 2 | Engineering Marvel (Sting 2) | Sting 2 | Michael Edwards | Fast | 120 |
|
| 3 | Friction | Full mix | Michael Edwards | Fast | 154 |
|
| 3 | Friction (Reduced) | No pads | Michael Edwards | Fast | 154 |
|
| 3 | Friction (15) | 15 | Michael Edwards | Fast | 154 |
|
| 3 | Friction (30) | 30 | Michael Edwards | Fast | 154 |
|
| 3 | Friction (Alternative 15) | 015, no pads | Michael Edwards | Fast | 154 |
|
| 3 | Friction (Alternative 30) | 030, no pads | Michael Edwards | Fast | 154 |
|
| 3 | Friction (Sting) | Sting | Michael Edwards | Fast | 154 |
|
| 3 | Friction (Sting 2) | Sting 2 | Michael Edwards | Fast | 154 |
|
| 4 | Perfect Rotation | Full mix | Lars Jebsen | Medium | 94 |
|
| 4 | Perfect Rotation (Reduced) | Less arpeggio | Lars Jebsen | Medium | 94 |
|
| 4 | Perfect Rotation (15) | 15 | Lars Jebsen | Medium | 94 |
|
| 4 | Perfect Rotation (30) | 30 | Lars Jebsen | Medium | 94 |
|
| 5 | Technological Globalization | Full mix | Tobias Bartsch | Slow | 133 |
|
| 5 | Technological Globalization (Reduced) | No snare drum | Tobias Bartsch | Slow | 133 |
|
| 5 | Technological Globalization (Reduced 2) | No snare drum, less arpeggio | Tobias Bartsch | Slow | 133 |
|
| 5 | Technological Globalization (15) | 15 | Tobias Bartsch | Slow | 133 |
|
| 5 | Technological Globalization (30) | 30 | Tobias Bartsch | Slow | 133 |
|
| 6 | Autonomous Machines | Full mix | Felix Halbe | Medium | 90 |
|
| 6 | Autonomous Machines (Reduced) | No synth percussion | Felix Halbe | Medium | 90 |
|
| 6 | Autonomous Machines (15) | 15 | Felix Halbe | Medium | 90 |
|
| 6 | Autonomous Machines (30) | 30 | Felix Halbe | Medium | 90 |
|
| 7 | Ready for Takeoff | Full mix | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (Reduced) | No noise atmosphere | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (15) | 15 | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (30) | 30 | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (Alternative 15) | 015, no bass layer | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (Alternative 30) | 030, no bass layer | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (Sting) | Sting | Michael Edwards | Fast | 135 |
|
| 7 | Ready for Takeoff (Sting 2) | Sting 2 | Michael Edwards | Fast | 135 |
|
| 8 | Checkless Progress | Full mix | Lars Jebsen | Medium | 100 |
|
| 8 | Checkless Progress (Reduced) | Less density | Lars Jebsen | Medium | 100 |
|
| 8 | Checkless Progress (15) | 15 | Lars Jebsen | Medium | 100 |
|
| 8 | Checkless Progress (30) | 30 | Lars Jebsen | Medium | 100 |
|
| 9 | Automatic Navigation | Full mix | Alan Jay Reed | Medium-fast | 100 |
|
| 9 | Automatic Navigation (Reduced) | Bass pulsation only | Alan Jay Reed | Medium-fast | 100 |
|
| 9 | Automatic Navigation (15) | 15 | Alan Jay Reed | Medium-fast | 100 |
|
| 9 | Automatic Navigation (30) | 30 | Alan Jay Reed | Medium-fast | 100 |
|
| 10 | Precision Work | Full mix | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (Reduced) | No bass | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (15) | 15 | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (30) | 30 | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (Alternative 15) | 015, no bass | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (Alternative 30) | 030, no bass | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (Sting) | Sting | Michael Edwards | Medium | 150 |
|
| 10 | Precision Work (Sting 2) | Sting 2 | Michael Edwards | Medium | 150 |
|
| 11 | Artificial Intelligence | Full mix | Eckes Malz | Slow | - |
|
| 11 | Artificial Intelligence (Reduced) | Less blurred sounds | Eckes Malz | Slow | - |
|
| 11 | Artificial Intelligence (15) | 15 | Eckes Malz | Slow | - |
|
| 11 | Artificial Intelligence (30) | 30 | Eckes Malz | Slow | - |
|
| 12 | Matrix Matching | Full mix | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (Reduced) | Less density | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (15) | 15 | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (30) | 30 | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (Alternative 15) | 015, less density | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (Alternative 30) | 030, less density | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (Sting) | Sting | Michael Edwards | Medium | 120 |
|
| 12 | Matrix Matching (Sting 2) | Sting 2 | Michael Edwards | Medium | 120 |
|
| 13 | Bulk Production | Full mix | Alan Jay Reed | Medium | 120 |
|
| 13 | Bulk Production (Reduced) | No gated synths | Alan Jay Reed | Medium | 120 |
|
| 13 | Bulk Production (15) | 15 | Alan Jay Reed | Medium | 120 |
|
| 13 | Bulk Production (30) | 30 | Alan Jay Reed | Medium | 120 |
|
| 14 | Future Visions | Full mix | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Reduced) | No bass drum | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Reduced 2) | No bass drum, less percussion | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (15) | 15 | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (30) | 30 | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Alternative 15) | 015 and less density | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Alternative 30) | 030 and less density | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Sting) | Sting | Michael Edwards | Medium | 90 |
|
| 14 | Future Visions (Sting 2) | Sting 2 | Michael Edwards | Medium | 90 |
|
| 15 | Cyberspace | Full mix | Lars Jebsen | Medium | 110 |
|
| 15 | Cyberspace (Reduced) | Less driving sounds, alternative beginning | Lars Jebsen | Medium | 110 |
|
| 15 | Cyberspace (15) | 15 | Lars Jebsen | Medium | 110 |
|
| 15 | Cyberspace (30) | 30 | Lars Jebsen | Medium | 110 |
|
| 16 | Progressive Movement | Full mix | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (Reduced) | No blurred percussion | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (15) | 15 | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (30) | 30 | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (Alternative 15) | Lighter arrangement | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (Alternative 30) | Lighter arrangement | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (Sting) | Sting | Michael Edwards | Medium | 110 |
|
| 16 | Progressive Movement (Sting 2) | Sting 2 | Michael Edwards | Medium | 110 |
|
| 17 | Proper Execution | Full mix | Queens Road | Medium | 106 |
|
| 17 | Proper Execution (Reduced) | Atmospheric sounds only | Queens Road | Medium | 106 |
|
| 17 | Proper Execution (Reduced 2) | Less pads | Queens Road | Medium | 106 |
|
| 17 | Proper Execution (15) | 15 | Queens Road | Medium | 106 |
|
| 17 | Proper Execution (30) | 30 | Queens Road | Medium | 106 |
|
| 18 | Industrial Fabrication | Full mix | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (Reduced) | No drums, no bass | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (Reduced 2) | No drums | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (Reduced 3) | Drums only | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (15) | 15 | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (30) | 30 | Alexander Gress | Medium | 110 |
|
| 18 | Industrial Fabrication (Sting) | Sting | Alexander Gress | Medium | 110 |
|
| 19 | Uncontrolled Chain Reaction | Full mix | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 19 | Uncontrolled Chain Reaction (Reduced) | Less atmospheric sounds | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 19 | Uncontrolled Chain Reaction (15) | 15 | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 19 | Uncontrolled Chain Reaction (30) | 30 | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 19 | Uncontrolled Chain Reaction (Sting) | Sting 1 | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 19 | Uncontrolled Chain Reaction (Sting 2) | Sting 2 | Marcelo Baldin Petriaggi | Fast | 140 |
|
| 20 | Scientific Attempts | Full mix | Alan Jay Reed | Medium | 100 |
|
| 20 | Scientific Attempts (Reduced) | Less high synths | Alan Jay Reed | Medium | 100 |
|
| 20 | Scientific Attempts (15) | 15 | Alan Jay Reed | Medium | 100 |
|
| 20 | Scientific Attempts (30) | 30 | Alan Jay Reed | Medium | 100 |
|
| 21 | Suspension | Full mix | Michael Maas | Medium-fast | 120 |
|
| 21 | Suspension (Reduced) | No drums | Michael Maas | Medium-fast | 120 |
|
| 21 | Suspension (15) | 15 | Michael Maas | Medium-fast | 120 |
|
| 21 | Suspension (30) | 30 | Michael Maas | Medium-fast | 120 |
|
| 22 | Shadow Productions | Full mix | Eckes Malz | Medium | 110 |
|
| 22 | Shadow Productions (Reduced) | No high synths | Eckes Malz | Medium | 110 |
|
| 22 | Shadow Productions (15) | 15 | Eckes Malz | Medium | 110 |
|
| 22 | Shadow Productions (30) | 30 | Eckes Malz | Medium | 110 |
|
/MSC8 - ENGINEERING SCIENCE 2400px.jpg)