| 1 | Robotic System | Full mix | Sebastian Watzinger | Fast | 105 |
|
| 1 | Robotic System (Reduced) | No top layer arpeggio | Sebastian Watzinger | Fast | 105 |
|
| 1 | Robotic System (15) | 15 | Sebastian Watzinger | Fast | 105 |
|
| 1 | Robotic System (30) | 30 | Sebastian Watzinger | Fast | 105 |
|
| 2 | Facts Collection | Full mix | Daniel Backes | Fast | 105 |
|
| 2 | Facts Collection (Reduced) | Less density | Daniel Backes | Fast | 105 |
|
| 2 | Facts Collection (15) | 15 | Daniel Backes | Fast | 105 |
|
| 2 | Facts Collection (30) | 30 | Daniel Backes | Fast | 105 |
|
| 3 | Research Activity | Full mix | Tony Delmonte | Medium | 108 |
|
| 3 | Research Activity (Reduced) | No marimba | Tony Delmonte | Medium | 108 |
|
| 3 | Research Activity (15) | 15 | Tony Delmonte | Medium | 108 |
|
| 3 | Research Activity (30) | 30 | Tony Delmonte | Medium | 108 |
|
| 3 | Research Activity (Solo) | Marimba solo | Tony Delmonte | Medium | 108 |
|
| 4 | Trace Evidence | Full mix | Rainer Quade | Medium | 108 |
|
| 4 | Trace Evidence (Reduced) | Less sound effects, less density | Rainer Quade | Medium | 108 |
|
| 4 | Trace Evidence (Reduced 2) | No bass pulsation | Rainer Quade | Medium | 108 |
|
| 4 | Trace Evidence (15) | 15 | Rainer Quade | Medium | 108 |
|
| 4 | Trace Evidence (30) | 30 | Rainer Quade | Medium | 108 |
|
| 5 | Powerful Facts | Full mix | Daniel Backes | Slow-medium | 98 |
|
| 5 | Powerful Facts (Reduced) | No bass pulsation | Daniel Backes | Slow-medium | 98 |
|
| 5 | Powerful Facts (15) | 15 | Daniel Backes | Slow-medium | 98 |
|
| 5 | Powerful Facts (30) | 30 | Daniel Backes | Slow-medium | 98 |
|
| 6 | True Numbers | Full mix | Daniel Backes | Medium | 104 |
|
| 6 | True Numbers (Reduced) | No bass pulsation | Daniel Backes | Medium | 104 |
|
| 6 | True Numbers (15) | 15 | Daniel Backes | Medium | 104 |
|
| 6 | True Numbers (30) | 30 | Daniel Backes | Medium | 104 |
|
| 7 | Selective Reflection | Full mix | Daniel Backes | Slow-medium | 108 |
|
| 7 | Selective Reflection (Reduced) | No bass pulsation | Daniel Backes | Slow-medium | 108 |
|
| 7 | Selective Reflection (15) | 15 | Daniel Backes | Slow-medium | 108 |
|
| 7 | Selective Reflection (30) | 30 | Daniel Backes | Slow-medium | 108 |
|
| 8 | Look Closer | Full mix | Sebastian Katzer | Medium | 82 |
|
| 8 | Look Closer (Reduced) | No melody | Sebastian Katzer | Medium | 82 |
|
| 8 | Look Closer (15) | 15 | Sebastian Katzer | Medium | 82 |
|
| 8 | Look Closer (30) | 30 | Sebastian Katzer | Medium | 82 |
|
| 9 | Mechanical Calculation | Full mix | Anselm Kreuzer | Medium | 120 |
|
| 9 | Mechanical Calculation (Reduced) | No bass pulsation | Anselm Kreuzer | Medium | 120 |
|
| 9 | Mechanical Calculation (Reduced 2) | No top layer synth | Anselm Kreuzer | Medium | 120 |
|
| 9 | Mechanical Calculation (Reduced 3) | Pulsation and sounddesign only | Anselm Kreuzer | Medium | 120 |
|
| 9 | Mechanical Calculation (15) | 15 | Anselm Kreuzer | Medium | 120 |
|
| 9 | Mechanical Calculation (30) | 30 | Anselm Kreuzer | Medium | 120 |
|
| 10 | Rain of Information | Full mix | Michi Koerner | Medium-fast | 87 |
|
| 10 | Rain of Information (Reduced) | No melody synth | Michi Koerner | Medium-fast | 87 |
|
| 10 | Rain of Information (15) | 15 | Michi Koerner | Medium-fast | 87 |
|
| 10 | Rain of Information (30) | 30 | Michi Koerner | Medium-fast | 87 |
|
| 11 | Underlining Explanation | Full mix | Anselm Kreuzer | Medium-fast | 120 |
|
| 11 | Underlining Explanation (Reduced) | No top layer synth | Anselm Kreuzer | Medium | 120 |
|
| 11 | Underlining Explanation (Reduced 2) | No top layer synth, no percussion | Anselm Kreuzer | Medium | 120 |
|
| 11 | Underlining Explanation (15) | 15 | Anselm Kreuzer | Medium | 120 |
|
| 11 | Underlining Explanation (30) | 30 | Anselm Kreuzer | Medium | 120 |
|
| 12 | Signs of Upswing | Full mix | Michi Koerner | Medium | 120 |
|
| 12 | Signs of Upswing (Reduced) | No synth percussion | Michi Koerner | Medium | 120 |
|
| 12 | Signs of Upswing (15) | 15 | Michi Koerner | Medium | 120 |
|
| 12 | Signs of Upswing (30) | 30 | Michi Koerner | Medium | 120 |
|
| 13 | Comparison of Facts | Full mix | Anselm Kreuzer | Slow-medium | 100 |
|
| 13 | Comparison of Facts (Reduced) | No top layer synth | Anselm Kreuzer | Slow-medium | 100 |
|
| 13 | Comparison of Facts (Reduced 2) | No top layer synth, no percussion | Anselm Kreuzer | Slow-medium | 100 |
|
| 13 | Comparison of Facts (15) | 15 | Anselm Kreuzer | Slow-medium | 100 |
|
| 13 | Comparison of Facts (30) | 30 | Anselm Kreuzer | Slow-medium | 100 |
|
| 14 | Micro Elements | Full mix | Tony Delmonte | Slow | 60 |
|
| 14 | Micro Elements (Reduced) | No pulsation | Tony Delmonte | Slow | 60 |
|
| 14 | Micro Elements (Reduced 2) | No marimba | Tony Delmonte | Slow | 60 |
|
| 14 | Micro Elements (15) | 15 | Tony Delmonte | Slow | 60 |
|
| 14 | Micro Elements (30) | 30 | Tony Delmonte | Slow | 60 |
|
| 14 | Micro Elements (Alternative) | More marimba movement | Tony Delmonte | Slow | 60 |
|
| 15 | Bits of Information | Full mix | Tony Delmonte | Medium | 120 |
|
| 15 | Bits of Information (Reduced) | No lead synth | Tony Delmonte | Medium | 120 |
|
| 15 | Bits of Information (15) | 15 | Tony Delmonte | Medium | 120 |
|
| 15 | Bits of Information (30) | 30 | Tony Delmonte | Medium | 120 |
|
| 16 | Micro Wonders | Full mix | Tony Delmonte | Slow | 60 |
|
| 16 | Micro Wonders (Reduced) | Less density | Tony Delmonte | Slow | 60 |
|
| 16 | Micro Wonders (15) | 15 | Tony Delmonte | Slow | 60 |
|
| 16 | Micro Wonders (30) | 30 | Tony Delmonte | Slow | 60 |
|
| 17 | Liquid Analysis | Full mix | Anselm Kreuzer | Medium | 120 |
|
| 17 | Liquid Analysis (Reduced) | No drums, no water sounds | Anselm Kreuzer | Medium | 120 |
|
| 17 | Liquid Analysis (Reduced 2) | No water sounds | Anselm Kreuzer | Medium | 120 |
|
| 17 | Liquid Analysis (Reduced 3) | No electric guitar, no water sounds, no drums | Anselm Kreuzer | Medium | 120 |
|
| 17 | Liquid Analysis (15) | 15 | Anselm Kreuzer | Medium | 120 |
|
| 17 | Liquid Analysis (30) | 30 | Anselm Kreuzer | Medium | 120 |
|
| 18 | Information Drops | Full mix | Daniel Backes | Medium | 128 |
|
| 18 | Information Drops (Reduced) | Less density | Daniel Backes | Medium | 128 |
|
| 18 | Information Drops (15) | 15 | Daniel Backes | Medium | 128 |
|
| 18 | Information Drops (30) | 30 | Daniel Backes | Medium | 128 |
|
| 19 | Process Review | Full mix | Rainer Quade | Medium | 120 |
|
| 19 | Process Review (Reduced) | No melody synth | Rainer Quade | Medium | 120 |
|
| 19 | Process Review (15) | 15 | Rainer Quade | Medium | 120 |
|
| 19 | Process Review (30) | 30 | Rainer Quade | Medium | 120 |
|
| 20 | Miracle Drops | Full mix | Michi Koerner | Slow | - |
|
| 20 | Miracle Drops (Reduced) | No piano | Michi Koerner | Slow | - |
|
| 20 | Miracle Drops (15) | 15 | Michi Koerner | Slow | - |
|
| 20 | Miracle Drops (30) | 30 | Michi Koerner | Slow | - |
|
| 21 | Transition Process | Full mix | Michi Koerner | Slow-medium | 95 |
|
| 21 | Transition Process (Reduced) | Less arpeggio synths | Michi Koerner | Slow-medium | 95 |
|
| 21 | Transition Process (15) | 15 | Michi Koerner | Slow-medium | 95 |
|
| 21 | Transition Process (30) | 30 | Michi Koerner | Slow-medium | 95 |
|
| 22 | Unknown Breaking Point | Full mix | Sebastian Watzinger | Slow-medium | 105 |
|
| 22 | Unknown Breaking Point (Reduced) | Less density, no melody | Sebastian Watzinger | Slow-medium | 105 |
|
| 22 | Unknown Breaking Point (15) | 15 | Sebastian Watzinger | Slow-medium | 105 |
|
| 22 | Unknown Breaking Point (30) | 30 | Sebastian Watzinger | Slow-medium | 105 |
|
| 23 | Friendly Robot | Full mix | Ulf Kneiding | Medium-fast | 150 |
|
| 23 | Friendly Robot (Reduced) | No drums | Ulf Kneiding | Medium-fast | 150 |
|
| 23 | Friendly Robot (15) | 15 | Ulf Kneiding | Medium-fast | 150 |
|
| 23 | Friendly Robot (30) | 30 | Ulf Kneiding | Medium-fast | 150 |
|
/MSC31 - THOROUGH ANALYSIS 2400px.jpg)