| 1 | Incorporation | Full mix | Alan Jay Reed | Fast | 120 |
|
| 1 | Incorporation (Reduced) | No melody | Alan Jay Reed | Fast | 120 |
|
| 1 | Incorporation (15) | 15 | Alan Jay Reed | Fast | 120 |
|
| 1 | Incorporation (30) | 30 | Alan Jay Reed | Fast | 120 |
|
| 2 | The Fringe | Full mix | Alan Jay Reed | Slow-medium | 94 |
|
| 2 | The Fringe (15) | 15 | Alan Jay Reed | Slow-medium | 94 |
|
| 2 | The Fringe (30) | 30 | Alan Jay Reed | Slow-medium | 94 |
|
| 2 | The Fringe (Alternative) | More intense beginning | Alan Jay Reed | Slow-medium | 94 |
|
| 3 | Persecution Mania | Full mix | Alan Jay Reed | Medium | 120 |
|
| 3 | Persecution Mania (Reduced) | No melody | Alan Jay Reed | Medium | 120 |
|
| 3 | Persecution Mania (15) | 15 | Alan Jay Reed | Medium | 120 |
|
| 3 | Persecution Mania (30) | 30 | Alan Jay Reed | Medium | 120 |
|
| 4 | Dark Matter | Full mix | Alan Jay Reed | Medium | 120 |
|
| 4 | Dark Matter (Reduced) | No melody | Alan Jay Reed | Medium | 120 |
|
| 4 | Dark Matter (15) | 15 | Alan Jay Reed | Medium | 120 |
|
| 4 | Dark Matter (30) | 30 | Alan Jay Reed | Medium | 120 |
|
| 5 | Drowning | Full mix | Alan Jay Reed | Fast | 120 |
|
| 5 | Drowning (Reduced) | No melody | Alan Jay Reed | Fast | 120 |
|
| 5 | Drowning (15) | 15 | Alan Jay Reed | Fast | 120 |
|
| 5 | Drowning (30) | 30 | Alan Jay Reed | Fast | 120 |
|
| 6 | Severe Tension | Full mix | Alan Jay Reed | Medium-fast | 128 |
|
| 6 | Severe Tension (Reduced) | No melody pads | Alan Jay Reed | Medium-fast | 128 |
|
| 6 | Severe Tension (15) | 15 | Alan Jay Reed | Medium-fast | 128 |
|
| 6 | Severe Tension (30) | 30 | Alan Jay Reed | Medium-fast | 128 |
|
| 7 | Hypnotic Movements | Full mix | Alan Jay Reed | Medium | 108 |
|
| 7 | Hypnotic Movements (Reduced) | No melody | Alan Jay Reed | Medium | 108 |
|
| 7 | Hypnotic Movements (15) | 15 | Alan Jay Reed | Medium | 108 |
|
| 7 | Hypnotic Movements (30) | 30 | Alan Jay Reed | Medium | 108 |
|
| 8 | Mysterious Steps | Full mix | Alan Jay Reed | Slow | 106 |
|
| 8 | Mysterious Steps (Reduced) | No melody | Alan Jay Reed | Slow | 106 |
|
| 8 | Mysterious Steps (15) | 15 | Alan Jay Reed | Slow | 106 |
|
| 8 | Mysterious Steps (30) | 30 | Alan Jay Reed | Slow | 106 |
|
| 9 | Hard Line | Full mix | Alan Jay Reed | Fast | 101 |
|
| 9 | Hard Line (Reduced) | Less effects, no melody | Alan Jay Reed | Fast | 101 |
|
| 9 | Hard Line (15) | 15 | Alan Jay Reed | Fast | 101 |
|
| 9 | Hard Line (30) | 30 | Alan Jay Reed | Fast | 101 |
|
| 10 | Infamous Action | Full mix | Alan Jay Reed | Medium | 95 |
|
| 10 | Infamous Action (Reduced) | No melody | Alan Jay Reed | Medium | 95 |
|
| 10 | Infamous Action (15) | 15 | Alan Jay Reed | Medium | 95 |
|
| 10 | Infamous Action (30) | 30 | Alan Jay Reed | Medium | 95 |
|
| 11 | Pushing the Limit | Full mix | Alan Jay Reed | Fast | 138 |
|
| 11 | Pushing the Limit (Reduced) | No melody | Alan Jay Reed | Fast | 138 |
|
| 11 | Pushing the Limit (15) | 15 | Alan Jay Reed | Fast | 138 |
|
| 11 | Pushing the Limit (30) | 30 | Alan Jay Reed | Fast | 138 |
|
| 12 | Smash the Devil | Full mix | Alan Jay Reed | Medium | 96 |
|
| 12 | Smash the Devil (Reduced) | No melody | Alan Jay Reed | Medium | 96 |
|
| 12 | Smash the Devil (15) | 15 | Alan Jay Reed | Medium | 96 |
|
| 12 | Smash the Devil (30) | 30 | Alan Jay Reed | Medium | 96 |
|
| 13 | Turning Point | Full mix | Alan Jay Reed | Medium-fast | 94 |
|
| 13 | Turning Point (Reduced) | Pulse only | Alan Jay Reed | Medium-fast | 94 |
|
| 13 | Turning Point (15) | 15 | Alan Jay Reed | Medium-fast | 94 |
|
| 13 | Turning Point (30) | 30 | Alan Jay Reed | Medium-fast | 94 |
|
| 14 | Evolve into Something | Full mix | Alan Jay Reed | Slow | 97,5 |
|
| 14 | Evolve into Something (Reduced) | No melody, no bass | Alan Jay Reed | Slow | 97,5 |
|
| 14 | Evolve into Something (15) | 15 | Alan Jay Reed | Slow | 97,5 |
|
| 14 | Evolve into Something (30) | 30 | Alan Jay Reed | Slow | 97,5 |
|
| 15 | Disillusion | Full mix | Alan Jay Reed | Medium | 120 |
|
| 15 | Disillusion (Reduced) | Pulse only | Alan Jay Reed | Medium | 120 |
|
| 15 | Disillusion (15) | 15 | Alan Jay Reed | Medium | 120 |
|
| 15 | Disillusion (30) | 30 | Alan Jay Reed | Medium | 120 |
|
| 16 | Insider Knowledge | Full mix | Alan Jay Reed | Medium-fast | 118 |
|
| 16 | Insider Knowledge (Reduced) | No melody | Alan Jay Reed | Medium-fast | 118 |
|
| 16 | Insider Knowledge (15) | 15 | Alan Jay Reed | Medium-fast | 118 |
|
| 16 | Insider Knowledge (30) | 30 | Alan Jay Reed | Medium-fast | 118 |
|
| 17 | Feeling Strange | Full mix | Alan Jay Reed | Medium | 120 |
|
| 17 | Feeling Strange (Reduced) | No bell melody | Alan Jay Reed | Medium | 120 |
|
| 17 | Feeling Strange (15) | 15 | Alan Jay Reed | Medium | 120 |
|
| 17 | Feeling Strange (30) | 30 | Alan Jay Reed | Medium | 120 |
|
| 18 | Involuntary Tension | Full mix | Alan Jay Reed | Medium | 116 |
|
| 18 | Involuntary Tension (Reduced) | No melody | Alan Jay Reed | Medium | 116 |
|
| 18 | Involuntary Tension (15) | 15 | Alan Jay Reed | Medium | 116 |
|
| 18 | Involuntary Tension (30) | 30 | Alan Jay Reed | Medium | 116 |
|
| 19 | Unexpected Findings | Full mix | Alan Jay Reed | Medium-fast | 120 |
|
| 19 | Unexpected Findings (Reduced) | Less synth percussion | Alan Jay Reed | Medium-fast | 120 |
|
| 19 | Unexpected Findings (15) | 15 | Alan Jay Reed | Medium-fast | 120 |
|
| 19 | Unexpected Findings (30) | 30 | Alan Jay Reed | Medium-fast | 120 |
|
| 20 | Painful Investigations | Full mix | Alan Jay Reed | Slow-medium | 100 |
|
| 20 | Painful Investigations (Reduced) | No melody | Alan Jay Reed | Slow-medium | 100 |
|
| 20 | Painful Investigations (15) | 15 | Alan Jay Reed | Slow-medium | 100 |
|
| 20 | Painful Investigations (30) | 30 | Alan Jay Reed | Slow-medium | 100 |
|
/MSC3 - INVESTIGATIVE IMPACT 2400px.jpg)